electric guitar vintage | electric guitar epiphone

To preserve the clarity of the tone, it is most common to put compression, wah and overdrive pedals at the start of the chain, modulation (chorus, flanger, phase shifter) in the middle, and time-based units (delay, echo, reverb) at the end. When using many effects, unwanted noise and hum can be introduced into the guitar’s sound. Some performers use a noise gate or noise suppression pedal at the beginning or end of a chain to reduce unwanted noise and hum.
We are your new best friend when it comes to guitars, gear, lessons and everything else that goes with the greatest musical instrument in the world! Choosing a guitar and learning how to play can be overwhelming.
While an acoustic guitar’s sound depends largely on the vibration of the guitar’s body and the air inside it, the sound of an electric guitar depends largely on the signal from the pickups. The signal can be “shaped” on its path to the amplifier via a range of effect devices or circuits that modify the tone and characteristics of the signal. Amplifiers and speakers also add coloration to the final sound.
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
Effects are built into amplifiers (reverb and distortion are the most common in 2010s-era amps, but vintage amps and modern reissued amps may also have tremolo and vibrato); housed in table top units designed for DJs and record producers, a format which typically contains multiple effects; “stompboxes” and “rackmount units”, or they are built into the instruments themselves, as in the case of the Hammond organ, which includes chorus and vibrato effects inside the instrument chassis. A stompbox or “pedal” is a small metal or plastic box placed on the floor in front of the musician and connected to the instrument and the instrument amplifier with patch cords. Pedals are usually the least expensive format. Typically, one or more on-off foot-operated switches control a device that provides only one or two effects, with many pedals having knobs for controlling the volume, tone and intensity of the effect. A rackmount device mounts on a standard 19-inch equipment rack and usually contains several types of effects.[4] Rackmount effects typically have buttons and/or knobs on the face of the chassis for controlling the effects and a patch bay at the rear of the unit.
When it comes to effects pedals, those which offer more than one type of effect are usually seen as the best cost effective solution out there. Although many still prefer that standard, standalone configuration, multi-effects pedals have a lot to offer. Take Carl Martin Multi Effects Pedal as an example. This thing is packed to the brim with boutique level effects. Easy to use, a board such as this one can substitute a whole pedalboard depending on the variety of effects you use. One of the other great features of this design is the fact that multi-effect pedals come in both digital and analog form. They have transcended that artificial sounding performance that plagued effects processors some 10 years ago. Today, a multi-effects pedal is every bit as capable as its standalone counterparts. While this design is aimed at everyone, budget oriented users stand to gain the most from it.
The greatest riff-writer ever. Billy Duffy is the greatest British guitarist ever, and if you don’t believe me, buy ‘Sonic Temple’. Duffy writes amazing riffs and solos, and although he’s got blinding speed, he knows how to use it with economy. – Floods
Fingerboards vary as much as necks. The fingerboard surface usually has a cross-sectional radius that is optimized to accommodate finger movement for different playing techniques. Fingerboard radius typically ranges from nearly flat (a very large radius) to radically arched (a small radius). The vintage Fender Telecaster, for example, has a typical small radius of approximately 7.25 inches. Some manufacturers have experimented with fret profile and material, fret layout, number of frets, and modifications of the fingerboard surface for various reasons. Some innovations were intended to improve playability by ergonomic means, such as Warmoth Guitars’ compound radius fingerboard. Scalloped fingerboards added enhanced microtonality during fast legato runs. Fanned frets intend to provide each string with an optimal playing tension and enhanced musicality. Some guitars have no frets—and others, like the Gittler guitar, have no neck in the traditional sense.
The road toward becoming a better guitarist is paved in… books? It certainly can be, although there are plenty of routes that both beginners and professionals take to improve upon — and bone up on — their craft. The books on this list are about history and technique. They’re books that you’ll pull off the shelf for years to come to look up a vintage guitar you’re curious about or a chord progression or song you’ve been meaning to master. You may find additional inspiration reading the autobiographies of your favorite guitarists, but we decided to leave those off this particular list. If you’re in the market for a good guitar book, read on.
Brian should be much higher on this list! He is a Musical Genius! I never listened to guitarists until I heard Brian May play! Everything he does is PERFECTIOIN! Put him at the Top 5 where he belongs!
JAZZ :Al Di Meola , John McLaughlin ,Wes Montgomery ,Pat Metheny ,John Scofield,Django Reinhardt ,Larry carlton ,Joe Pass,Herb Ellis ,Eddie Lang , and again I still have in mind at least 10 more jazz guitar players that jazz is the hardest and more complex guitar composition and it is an awesome style or kind of music to play just because not everybody play can play jazz.
Having humbucker pickups (sometimes just a neck pickup) and usually strung heavlly, jazzboxes are noted for their warm, rich tone. A variation with single-coil pickups, and sometimes with a Bigsby tremolo, has long been popular in country and rockabilly; it has a distinctly more twangy, biting tone than the classic jazzbox. The term archtop refers to a method of construction subtly different from the typical acoustic (or “folk” or “western” or “steel-string” guitar): the top is formed from a moderately thick (1 inch or 2–3 cm) piece of wood, which is then carved into a thin (0.1 in, or 2–3 mm) domed shape, whereas conventional acoustic guitars have a thin, flat top.
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The following figure illustrates a typical heavy-metal riff using both movable and open-position power chords. If you have an electric guitar and an amp or effect device that enables you to overdrive it, use distortion while practicing this progression. You can use either the two- or three-string version of the power chords.
After covering Types of Guitar: Beginners Guide to Buying a Guitar, I feel it is appropriate this week to focus on learning guitar chords and the importance of practicing them. By that I mean anything from two-note power chords to spidery jazz chords spanning all six strings. Don’t make the mistake of attempting lead guitar without first getting a solid grasp on chordal, rhythmic playing.
Neck bending, by holding the upper arm on the guitar body and bending the neck either to the front or pulling it back. This is used as a substitute for a tremolo bar, although not as effective, and the use of too much force could snap the guitar neck.
BTW, what you heard on Jimi’s video on this article is not what was being played out one the video. (ANY guitar player worthy of his salt would have caught on to that in one or two bars…OK, I’ll be accommodating…10 bars.
The common design of a standalone stompbox is simple and, thus, hasn’t changed much: The guitar lead plugs into an input while a second lead carries the output to the amplifier. In between, a multitude of knobs, switches, and pedals modify the signal. To connect two or more boxes requires “jumper” leads, which chain the boxes together to complete a circuit of circuits, each one powered by a 9V battery. Typically, stompboxes are activated by “stomping” on an on/off bypass switch. This simple design enables tinkering: The exterior casing can be easily removed, exposing the interior for modification. To do so requires only a basic grasp of electronics, solder tools (or a solder-less breadboard circuit), and patience. Lots of patience.
The Wah Wah pedal is one of the coolest guitar effects ever. Released in 1967 as the Vox Clyde McCoy. Oddly enough Clyde McCoy was a trumpet player as the pedal was to be used when amplifying the horn. Fortunately guitarists picked up on the almighty wah. The name Cry Baby has become de facto for the wah as it became the most popular. A wah is basically an active tone control that boosts lower frequencies through higher ones by using the sweep of the pedal. A guitar’s tone knob is passive and just rolls off high end, the wah electronically boosts frequencies.
Tell me this – to be a great guitarist don’t you have to have played music people want to hear? Alvin Lee may not have known the difference between the phrygian mode and refrigerator mold but he could play circles around most of these guys. So while some folks may be technically better than, say, David Gilmour who would you rather hear?
mike brown here-sorry the 2 albums any player should listen too are mister guitar and guitar workshop from late 50,s or early 60,s—oh yeah-he could classical with anyone also-he was truly mister guitar
This list is insanely bad! First of all, John Mayer is only as good as your typical high school amateur. And before anyone starts spouting off, I’ve tried to find some obscure videos of him to prove myself wrong. But I can’t, it’s all Minor Pentatonic stuff with nothing innovative added to it. Secondly, how about some finger pickers on the list: Doyle Dykes, Scotty Anderson, Chet Atkins, Merle Travis, Tommy Emmanuel. Let’s not forget DANNY GATTON the greatest guitar player you’ve never heard. Also, if we’re talking about the best of the best, BRENT MASON should ALWAYS be in a Top Ten list, although he never is. But, you’ve heard him on all sorts of Nashville recordings. Acoustic guitar players like Andy McKee, Ewan Dobson, Don Ross, (I wish I knew more than that but I only recently discovered their Chuck Norris like awesomeness). Never limit yourself to the mainstream! There are many guitar players that are mentioned only because they are famous and have influence because of that. They may come up with a catchy riff or played in a well known band. But, that doesn’t make them a truly great guitar player.
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Both Satriani and Morello are masters when it comes to “electronic sound effects”, but i think Satriani is a better guitar player generally speaking. He can do much more stuff with the guitar, he’s like a magician and his technique is also superior. Also you shouldn’t forget that Satriani helped Morello in the past to reach his full potential.
Try to get your 1st finger to lay softly on strings 3, 2 and 1. You don’t want those notes to sound; you just want to mute the strings. This is very important as it will sound really bad if you let them ring out.
Ring modulator: A ring modulator produces a resonant, metallic sound by mixing an instrument’s audio signal with a carrier wave generated by the device’s internal oscillator. The original sound wave is suppressed and replaced by a “ring” of inharmonic higher and lower pitches or “sidebands”.[73][81] A notable use of ring modulation is the guitar in the Black Sabbath song “Paranoid”.[82]
Yes I know Jimi Hendrix pioneered the guitar solo but Eddie Van Halen was probably influenced by Jimi Hendrix but now Eddie Van Halen now influenced Kerry King and so many more people so I think Eddie should get more credit for his inspiration to other artists.
The history of Electric Guitars is summarized by Guitar World magazine, and the earliest electric guitar on their top 10 list is the Ro-Pat-In Electro A-25 “Frying Pan” (1932) described as ‘The first-fully functioning solid-body electric guitar to be manufactured and sold'[29]. The most recent electric guitar on this list is the Ibanez Jem (1987) which featured ’24 frets’, ‘an impossibly thin neck’ and was ‘designed to be the ultimate shredder machine’. Numerous other important electric guitars are on the list including Gibson ES-150 (1936), Fender Telecaster (1951), Gibson Les Paul (1952), Gretsch 6128 Duo Jet (1953), Fender Stratocaster (1954), Rickenbacker 360/12 (1964), Van Halen Frankenstein (1975), Paul Reed Smith Custom (1985) many of these guitars were ‘successors’ to earlier designs [30]. Electric Guitar designs eventually became culturally important and visually iconic, with various model companies selling miniature model versions [31] [32] of particularly famous electric guitars, for example the Gibson SG used by Angus Young from the group AC/DC.
While it might seem unnecessary, an EQ pedal is a very handy effect to have. Many amps have very specific voicing that can only be adjusted so far with their tone stack. Also, many small amps have limited on board tone-shaping options. For example, the popular Fender Champ 600 or the Blackstar HT-1, which only have one knob for tone shaping. With an EQ in your chain, you can fine-tune the amp to your liking, or you can perfectly dial in a distortion or fuzz that normally won’t cooperate.
ROCK &ROLL ,METAL:Joe Satriani ,Eddie Van Halen ,Steve Vai,Dime bag Darrel ,Tom Morello,Randy Rhodes ,Jimmy Page,John Petrucci,Ingwie Malnsteen,Michael Angelo Batio,and again I’m leaving like 10 or more guitar players on this style of super fast guitar players and full of techniques and mind blowing solos
What about Esteban?….lol. There’s no way to make a top ten list, as there are so many extremely talented players. Glenn Campbell is an outstanding guitar player. Lee Roy Parnell is second only to Duane Allman as far as that style of slide playing. Although Willie Nelson doesn’t shred, he is an incredible talent. Duke Robillard, Danny Gatton, Robbie Robertson, Steven Stills, Alvin Lee, Tony Rice, Bryon Sutton, Brian Setzer… there are so many wonderful incredibly talented musicains….thank God! It would suck if everyone played the same. Variety is the key…learn to truly love the art of music. Just like blonds, brunettes and redheads they are all wonderful! If you even try to list the top ten of anything, you are only shortchanging yourself.
With a super-low action (see page XX) you might have trouble muting the strings because they will require so little pressure to sound, but you must. It’s the downside of having such a low action. You’ll find barre chords easy, but it’s going to take a light touch and lots of practice to get those notes muted properly.

Bass effects are electronic effects units that are designed for use with the low pitches created by an electric bass or for an upright bass used with a bass amp or PA system. Two examples of bass effects are fuzz bass and bass chorus. Some bass amplifiers have built-in effects, such as overdrive or chorus. Upright bassists in jazz, folk, blues and similar genres may use a bass preamplifier, a small electronic device that matches the impedance between the piezoelectric pickup and the amp or PA system. Bass preamps also allow for the gain of the signal to be boosted or cut. Some models also offer equalization controls, a compressor, and a DI box connection.
He invented heavy metal with Black Sabbath. Pulling out songs with such heavy riffs and beautiful solos is really amazing. Guitar in is hands is like AK47. His best work can be found in songs like ‘war pigs’, ‘heaven and hell’, ‘iron man’, ‘Paranoid’, ‘Black Sabbath’…
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My granddaughter really liked this book. I know it was used but the CD and the wall chart were missing. I wish that would have been noted in the comments. Some of the other book sellers noted that one or the other of these were missing so I didn’t order from them. Nothing was noted in the comments on this. My granddaughter was happy with the book and wanted to keep it.
Finally someone who gets Brian May.IMO he’s in a league of his own.Instantly recognizable,no one sounds like him;He can play any genre and beautifully.When it was just Brian playing with Freddie singing I had to remember to breathe.
Metal has become the prevalent genre when it comes to music that involves guitars. Dialing in a proper distortion can make or break the sound of your guitar as well as your entire band. Coincidentally, it’s so easy to go overboard with distortion, all while being certain you are on the right track. The very first step is to get a dist box that is suitable for metal. Something like Electro­Harmonix Metal Muff carries just enough punch to get the job done, but not enough to drown your tone completely with gain. You’ll find this to be a reoccurring theme with a number of great metal dist boxes. At the end of the day, it all comes down to your prowess and skill. Every good metal guitarist know that it’s all about the unity of equipment and knowledge. With that said, these pedals will get you started.
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